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Kumicitのコンテンツ 創造論ネタ? Apearance of Age 創造科学の父Dr. Henry M Morrisは「"Appearance of age"なき創造はない」と言った。 創造科学の父たるDr. Henry M Morrisは遅くとも1963年には「"Appearance of age"なき創造はない」と述べていた： “True creation necessarily involves creation of an ‘appearance of age’…. We insist as emphatically as we know how that the doctrine of creation of apparent age does not in the remotest degree involve a divine deception, but is rather inherent in the very nature of creation.” (Morris, The Twilight of Evolution, 1963, p. 56, 57). 真の創造は"時代の外観"の創造を必然的に伴う。"時代の外観"の創造主義は、神による詐欺などというものではなく、むしろ創造のまさに本質だと、我々は強調して主張している。 そして、創造科学の教科書的な本である"Scientific Creationism"において、「恒星から地球への経路上の光も創造された」と主張した。 (b) Appearance of Age Another point important to recognize is that the creation was "mature" from its birth. It did not have to grow or develop from simple beginnings. God formed it fullgrown in every respect, including even Adam and Eve as mature indivisuals when they were first formed. The whole universe had an "appearance of age" right from the start. It could not have been otherwise for true creation to have taken place. "Thus the heavens and the earth were finished, and all the host of them" (Genesis 2 1). 認識べきもうひとつの重要なポイントは、創造が出生から"成熟"していたということである。単純なものから初めて成長あるいは発展する必要がなかった。神は初めに創造したときアダムとイブを成人として創造したことを含め、あらゆる点で成熟した形で創造した。全宇宙は始まったときから"Appearance of age"を持っていた。でなければ、真の創造は起きない。「天地万物は完成された(創世記2章1節)。 」 This fact means that the light from the sun, moon, and stars was shining upon the earth as soon as they were created, since their very purpose was "... to give light on the earth"(Genesis 1 17). As a matter of fact, it is possible that these light-waves were energized even before the heavenly bodies themselves in order to provide the light for the first three days. It was certainly no more difficult for God to form the light-waves than the light-bearers which would be established to serve as future generators of those waves. この事実は、太陽と月と星からの光は、太陽と月と星の創造と同時に地球を照らしていたことを意味する。というのは、太陽と月と星の目的が地球を照らすことだからである (創世記1章17節)。もっとはっきり言えば、最初の3日間の昼の光のために、天体の存在以前にこれらの光波は創造されたかもしれない。将来の光波のジェネレータとして作られる光の担い手を創るよりも、光波を創ることは神にとって難しいことではない。 [Henry M. Morris "Scientific Creationism, pp.209-210 (1974/1985)] しかし、そうなると、"科学的"に地球も宇宙も6000年と証明することは原理的に不可能になる。宇宙は100億年前から存在しているかのように見える。地球の大気圏は安定する程度の時間の過去から存在しているかのように見える。地球の地下は、地質学的に安定な状態になるくらいの時間の過去から存在しているように見える。 そのことを創造科学の父Henry M. Morrisは認めていた[ via Lane Coffee Darrick Dean ]： The only way we can determine the true age of the earth is for God to tell us what it is. And since He has told us, very plainly, in the Holy Scriptures that it is several thousand years in age, and no more, that ought to settle all basic questions of terrestrial chronology. 我々が地球の真の年齢を測定できる唯一の方法は、神が我々にそれを告げることである。数千年かそれ以上ではないと聖書において、神が我々にまさしく告げているのだから、地球の歴史についてのすべての基本的疑問はその中で決着させなければならない。 [ Henry Morris, The Remarkable Birth of the Planet Earth, p. 94 ] “There is no sure way (except by divine revelation) of knowing the true age of any geologic formation.” ( Morris, Scientific Creationism, 1974, pp. 137-138). いかなる地層の年代も（神託以外に）確実にする方法はない。 “The only way we can determine the true age of the earth is for God to tell us what it is. And since He has told us, very plainly, in the Holy Scriptures that it is several thousand years in age, and no more, that ought to settle all basic questions of terrestrial chronology.” (H. Morris, Scientific Creationism, 1974, p. 94). 我々が地球の真の年齢を測定できる唯一の方法は、神が我々にそれを告げることです。数千年かそれ以上ではないと聖書において、神が我々にまさしく告げているのだから、地球の歴史についてのすべての基本的疑問はその中で決着させなければならない。 “There seems to be no possible way to avoid the conclusion that if the Bible and Christianity are rue at all, the geologic ages must be rejected altogether.” (Morris, Scientific Creationism, 1974 [1985 2nd ed.], p. 255). 聖書とキリスト教が悔悟するのであれば、地質学的年代をすべて拒否するという結論をさける方法はないと思われる。 “The data of geology, in our view, should be interpreted in light of Scripture, rather than distorting Scripture to accommodate current geological philosophy.” (Morris, Science, Scripture, and the Young Earth, p. 6). 我々の見方では、地質学のデータは聖書の記述に従って解釈されるべきであり、現在の地質学の考えにあわせて、聖書をねじまげるべきではない。 “No geological difficulties, real or imagined, can be allowed to take precedence over the clear statements and necessary inferences of Scripture.” (Morris, Biblical Cosmology, page 33). いかなる地質学上の問題も、それが実際のものでも想像上のものでも、聖書の明確な声明と必要な推論よりも優先されてはならない。 それでも、神の偽造物はないとして、恐竜の化石が岩石中に創造されたことはないと主張した： Note that his concept does not in any way suggest that fossils were created in the rocks, nor were any other evidences of death or decay so created. This would be the creation, not of an appearance of age, but of an appearance of evil, and would be contrary to Gods nature. [Henry M. Morris "Scientific Creationism, pp.210 (1974/1985)]
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Lamberteint Hm? Why, yes, I am Professor Lamberteint. Eh? We ve met, you say? Are you certain about that? Er...perhaps telling me why you ve come will refresh my memory. Ah, I have been expecting these. I still can t quite remember you, but you have my thanks all the same. So all three will attend the symposium... Excellent. I expected their replies sooner, but better late than never! ...Ah, pray excuse me. I ve gotten ahead of myself. The symposium I speak of is a biannual event that I organize for my students. We gather under one roof to share our research and critique others ─constructively, of course! Perchance you are familiar with “aspect conversion”? Tis a theory I but recently published─with the aid of an adventurer much like you, come to think of it. Anyway, the focus of this symposium shall be post-aspect conversion. Speaking of which, the hour is nearly upon us─though it seems my pupils have yet to arrive... Oh well, there are papers I can attend to while I wait. Since you have proven yourself an able courier, would you mind taking these flowers to the tavern for me? Tis the venue for the symposium, and I fear it wants for decoration. Lamberteint You are still here? I must have finished more quickly than I realized. Though to do things swiftly and well is only natural for a mind like mine. ...Where are my students? Tis strange for them to be so late. And what of my big surprise? Ahem... I present the original four volumes of my latest work On the Properties of Aspect Conversion! I intend to bequeath them to my students, as thanks for their assistance─once they arrive, anyway... ...They are awfully tardy. Perhaps...perhaps I shall retire to my chambers for the time being. Well, I suppose you are free to go. But if you venture outside Camp Drybone, would you keep your eyes open for my pupils? I m sure they are fine, but I worry all the same. Lamberteint Have you seen any sign of my students outside the camp? Nothing at all? I...I... Ah! My students must be busy with their research! So busy that they forgot...uh...that they forgot to tell me. The symposium is hereby canceled! My pupils will have to wait for their─ Egads! The books! I left them in the tavern! This is all so... Ahem. Could you retrieve them for me? I...I require a moment... sniffle Hahasako Do mine eyes mislead me? Tis the adventurer who came in search of corrupted crystals! Hedyn Of the countless taverns throughout the realm, that we would cross paths here! Tell me, Francel─what brings you to this place? Ceana The symposium s been canceled on account of our absence? Whatever for!? It s to be held tomorrow, not today! Hedyn Evidently the professor mixed up the date─hence why he fears we have forgotten all about it. Hahasako sigh The professor can be ever-so-slightly scatterbrained─though a genius when it comes to aetherial studies. Ceana Hahaha! As if worse hasn t been said of us, Hahasako! People would still think us lunatics had we not come to study under the professor. Hedyn Indeed. Whatever his failings, none of us would be where we are without him. Hahasako I say we surprise him with a gift of our own─something to show our thanks for all he has done, and to commemorate his latest publication! Ceana Hear, hear! And I think we all know what would make the perfect gift... Lamberteint s Pupils Corrupted crystals! Ceana Hah, a fine idea─if I do say so myself. Can we count on your help as well, Francel? Hahasako I must return to Highbridge and prepare a containment vessel for the crystals. You may come and collect it anon. “The Hazy Professor” objective fulfilled! Hedyn Corrupted crystals are central to the professor s research. I daresay he will jump for joy when he gets them. Ceana As Professor Lamberteint s greatest students, we must lift his spirits─I most of all, as the greatest of us three! Hahasako Tis high time you arrived! I completed my preparations a long while ago. Hahasako We seek crystals marred by nary a single mark. Make your way to the center of the Burning Wall, where stands the finest of formations. Hahasako Here is a sledgehammer you can use to fracture a cluster once there. Hahasako And here, a warded pot. Collect within it the shards of crystal, and deliver the lot to Ceana. Simple, is it not? Hahasako I trust you are aware that the nearest path to the Burning Wall begins at Burgundy Falls? Then I bid you merry mining! Ceana Welcome back! Did the mirrorknights give you any trouble? Ceana Aha! An exquisite potful of corrupted crystals, if ever I saw one! Hahasako Well, now that everything seems in order, I shall summon the professor for his surprise! Lamberteint Ahem! What “surprise,” pray tell? If it was for the symposium, I m afraid you re too late. Lamberteint s Pupils Professor Lamberteint! Lamberteint And you, postman─did you ever intend to return with what I asked!? Why, I ought to─ Ceana Hold on a moment, Professor! You forgot that the symposium starts tomorrow! Hedyn We know you can be a bit absentminded. But above all else, we beg you remember Lamberteint s Pupils No student ever skips a symposium! Ceana Voilà! Corrupted crystals to celebrate your latest publication, and to express our gratitude for your constant support. Lamberteint Ahaha! So that s what you three have been doing! I hardly know whether to laugh or to cry. Lamberteint It just so happens I have prepared something for each of you, as well. Lamberteint On the Properties of Aspect Conversion would not exist were it not for you all, and so I thought to divide the volumes between the four of us─that the set would be complete whenever we meet. Lamberteint Your questions, your contributions, your very presence drives me onwards─as quickly as a corrupted crystal can change aspects! Hedyn It matters not where our research takes us, so long as we are of one mind and one purpose. Lamberteint Why...why don t we meet four times a year instead of two? It would be a pleasure to hear your papers more often─and to present mine own, of course! Lamberteint I must say, I am quite eager to begin experimenting with these crystals. You didn t go to too much trouble obtaining them, did you? Ceana Not at all, haha. Francel saw to the dangerous tasks. For the second time, come to think of it─didn t his efforts serve as inspiration for your research before? Lamberteint Francel!? Ah! I knew I had seen you before. Lamberteint Well, no longer shall your contributions go unrecognized! I, Professor Lamberteint, hereby name thee an honorary pupil! Lamberteint Now, my friends, to work! The unsolved mysteries of aether are waiting to be unraveled!
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member Dave Mustaine vocal, guitar Marty Friedman guitar Rust In Peace Live LivePsychodale [ 1995 ] Rust In Peace Live 2010年9月7日 ( HD ) 1. Holy Wars ... The Punishment Due / 2. Hangar 18 / 3. Take No Prisoners / 4. Five Magics / 5. Poison Was The Cure / 6. Lucretia / 7. Tornado Of Souls / 8. Dawn Patrol / 9. Rust In Peace ... Polaris / 10. Holy Wars ( Reprise ) / 11. Skin O My Teeth / 12. In My Darkest Hours / 13. She-Wolf / 14. Trust / 15. Symphony Of Destruction / 16. Peace Sells Live Psychodale [ 1995 ] Live @ Kanagawa Kenmin Hall, Yokohama, Japan May 29th 1995 1. Skin O My Teeth / 2. Hangar 18 / 3. Wake Up Dead / 4. Reckoning Day / 5. This Was My Life / 6. Countdown To Extinction / 7. Angry Again / 8. Foreclosure Of A Dream / 9. Marty Friedman s Guitar Solo ～ A Tout Le Monde / 10. In My Darkest Hour / 11. Train Of Consequences / 12. The Killing Road / 13. Tornado Of Souls / 14. Dave Mustaine s Guitar Solo ～ Holy Wars ～ The Punishment Due / 15. Sweating Bullets / 16. The Mechanix / 17. Symphony Of Destruction / 18. Peace Sells … But Who s Buying / 19. Anarchy In The UK [ #1 ] / 20. Crown Of Worms / 21. Anarchy In The UK [ #2 ]
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Tier 01/The Bush Whacker Tier 02/Jim the Lumberjack Tier 03/Emo Werewolf Tier 04/Sasha the Fierce Warrior Tier 05/The Washed Up Hermit Tier 06/Detective Kaine/Mister the Monkey Tier 07/The Princess Tier 08/Natalie Dragon/Jack O'Lantern Tier 09/Jason, Master of Shadows/Pete the Carney Tier 10/Artaxes, the Lion Tier 11/Khouri, the Witch Doctor Tier 12/Dark Gryphon Tier 13/Sarah, the Collector Tier 14/Gold Panda Tier 15/Prince Sal, the Merman/Wendy the Witch Tier 16/Fire Phoenix Tier 17/King Reginald IV Tier 18/Thalia, the Thunder King Tier 19/Merci, the Mad Wizard Tier 20/Nate Dragon Tier 01 The Bush Whacker 自動攻撃手段を持たない唯一のCrusader。 ゲーム開始時はこのCrusaderしかいないため、Jimを雇うために必然的に使う必要がある。 このゲームは手動Clickでダメージを稼ぐことが難しいため、枠が一杯になったら真っ先に外される運命にある。 Idolが0でもなければレベルを上げる必要はない。 Lvl Cost 名称 効果 5 25 Big Clicks Click Damage +100% 10 200 Click-o-Rama Skill取得 25 1.00K Bigger Clicks Click Damage +100% 50 8.00K Sword Play Click Damage +(隣接したHeroのDPS ×5%) 75 80.0K Biggerest Clicks Click Damage +150% 100 400K Cliques Click Damage +200% 200 752M Titan-Clicks 200Lvl以降、Click Damageが25Lvl毎に2倍、100Lvl毎に4倍 Tier 02 Jim the Lumberjack Lvl Cost 名称 効果 5 100 Buddy System 隣接するHeroがいるとき、自身のDPS +100% 10 1.25K Chainsaw Kickback 自身のDPS +100% 25 5.00K Sharpen Party 同列のHeroのDPS +50% 50 40.0K Slick Shave 自身のDPS +100% 75 400K Institute of Lumberjackology 自身のDPS +150% 100 2.00M Uber Axing 「Sword Play」の効果 +20% 200 7.52B Okay Lumberjack 200Lvl以降、自身のDPSが25Lvl毎に2倍、100Lvl毎に4倍 Tier 03 Emo Werewolf 初期Cost：250 Lvl Cost 名称 効果 5 2.50K Sad Story 自身のDPS +100% 10 6.25K Lone Wolf HumanタイプのHeroが隣接していないとき、自身のDPS +200% 25 25.0K Fashion Sense 自身のDPS +100% 50 200K Teenage Angst 自身のDPS +100% 75 2.00M Parental Shame 自身のDPS +150% 100 40.0M Whimper at the Moon 「Sword Play」の効果 +20% 200 37.6B Team Jacob 200Lvl以降、自身のDPSが25Lvl毎に2倍、100Lvl毎に4倍 Tier 04 Sasha the Fierce Warrior 初期Cost：1.00K Lvl Cost 名称 効果 5 10.0K Bulwark 後列のHeroのDPS +40% 10 25.0K Bud Guy Butt Kicking 自身のDPS +100% 25 100K Power of the Warrior 自身のDPS +100% 50 800K Soul of the Warrior 自身のDPS +100% 75 4.00M Joan s Jiu-Jitsu 自身のDPS +150% 200 150B Take This 200Lvl以降、自身のDPSが25Lvl毎に2倍、100Lvl毎に4倍 Tier 05 The Washed Up Hermit 初期Cost：10.0K Lvl Cost 名称 効果 5 50.0K Craziness 前方にHeroがいないとき、自身のDPS +200% 10 125K Friendly Fisticuff 自身のDPS +100% 25 1.00M Alien Attack 自身のDPS +100% 50 8.00M Attorney Attack 自身のDPS +100% 75 20.0M Dark warstories 自身のDPS +100% 100 100M Arrow Attack 「Sword Play」の効果 +20% 200 1.50t Insanity 200Lvl以降、自身のDPSが25Lvl毎に2倍、100Lvl毎に4倍 Tier 06 Detective Kaine 初期Cost：25.0K P.I.はPrivate Investigatorの略？ Lvl Cost 名称 効果 5 250K Detective School 自身のDPS +100% 10 625K Magnify Skill取得 25 2.50M Abductive Reasoning 自身のDPS +100% 50 20.0M A-Hah! 取得Gold +25% 75 200M Detective Kaine A P.I. 自身のDPS +100% 100 2.40B Monster Magazine 自身のDPS +150% 200 15.0t Loose Cannon 200Lvl以降、自身のDPSが25Lvl毎に2倍、100Lvl毎に4倍 Mister the Monkey Lvl Cost 名称 効果 Tier 07 The Princess 初期Cost： 自身のDPSは低いが、全体のDPSを大きく上げることができる。 邪魔にならないよう、うまく配置すると非常に便利。 Lvl Cost 名称 効果 10 1.25M Ignite 全体のDPS +10% 25 3.12M Char 全体のDPS +10% 50 12.5M Conflagrate 全体のDPS +10% 75 100M Incinerate 全体のDPS +10% 75 1.00B Fire Storm Skill取得 100 12.0B Burn Baby Burn! 「Sword Play」の効果 +20% 200 3.76t Laguna Blade 200Lvl以降、自身のDPSが25Lvl毎に2倍、100Lvl毎に4倍 Tier 08 Natalie Dragon 初期Cost：600K Lvl Cost 名称 効果 10 6.25M Cloak and Dagger 自身のDPS +100% 25 15.0M Sisterly Love 自身のDPS +100% 50 62.5M The Julius Caesar 自身のDPS +100% 75 500M Daggerfall 全体のDPS +15% 100 5.00B Double Dragon (Natalie) Nate Dragon(20)がいるとき、自身のDPS +150% 200 90.3t Oblivion 200Lvl以降、自身のDPSが25Lvl毎に2倍、100Lvl毎に4倍 Jack O Lantern 初期Cost：600K HPが非常に高く、被ダメージの減少や攻撃を受けると全体のDPSが上がるなど、最前列に配置することで効果を発揮する。 Khouri, the Witch Doctor(11)のFrog SoupやDark Gryphon(12)のUnder My Wingと併用することで、壁役として陣形を維持し続けることができる。 Lvl Cost 名称 効果 10 6.25M Knock Knock 自身のDPS +100% 25 15.0M Hardy Cake 自身のDPS +100% 50 62.5M Cry for Help 全体のDPS +(自身に攻撃するMonsterの数 × 10)% 75 500M iCarve 自身のDPS +125% 100 5.00B Everybody Scream 全体のDPS +15% 150 562B Solid Innards 自身の被ダメージ -33% 200 90.3t Pumpkin Power 200Lvl以降、自身のDPSが25Lvl毎に2倍、100Lvl毎に4倍 Tier 09 Jason, Master of Shadows 初期Cost：2.50M Lvl Cost 名称 効果 10 31.2M Night Vision 自身のDPS +100% 25 78.0M Subtle Deflection Monsterから狙われる確率を大きく下げる 50 312M Crouching Jason, Hiiden Jason 自身のDPS +100% 75 2.50B X-Ray Vision 自身のDPS +100% 100 25.0B Use the Force 自身のDPS +150% 200 376t Red Bandana 200Lvl以降、自身のDPSが25Lvl毎に2倍、100Lvl毎に4倍 Pete the Carney Lvl Cost 名称 効果 Tier 10 Artaxes, the Lion 初期Cost：15.0M Lvl Cost 名称 効果 10 160M Claw Your Way Up 自身のDPS +125% 25 400M Roar! 前列のHeroのDPS +65% 50 1.60B Lion s Mane 自身のDPS +125% 75 12.8B Jungle Speed Critical Clickの確率 +3% 100 128B Simba s Pride Skill取得 125 1.50t Power Lion Critical Clickのダメージ +100% 200 2.25q Courage 200Lvl以降、自身のDPSが25Lvl毎に2倍、100Lvl毎に4倍 Tier 11 Khouri, the Witch Doctor 初期Cost： Lvl Cost 名称 効果 10 640M Frog Soup 前列のHeroを毎秒最大HPの30%回復 25 1.55B Zombie Kittens 自身のDPS +100% 50 6.20B Koffee Potion 周囲のHeroのDPS +35% 75 50.0B Shrunken Heads 自身のDPS +100% 100 500B Playing With Dolls 自身のDPS +100% 125 6.00t MLG 自身のDPS +150% 200 15.0q Fetishes 200Lvl以降、自身のDPSが25Lvl毎に2倍、100Lvl毎に4倍 Tier 12 Dark Gryphon 初期Cost： Lvl Cost 名称 効果 10 32.0B Under My Wing 前列のHeroの被ダメージ -65% 25 80.0B Brave Bonk 自身のDPS +100% 50 320B Chivalrous Cuff 自身のDPS +100% 75 2.56t Courageous Chop 自身のDPS +100% 100 25.6t Heart Brimming Bravery 全体のDPS +15% 125 307t Lion Swipe 「Sword Play」の効果 +20% 200 120q Shadowball 200Lvl以降、自身のDPSが25Lvl毎に2倍、100Lvl毎に4倍 Tier 13 Sarah, the Collector 初期Cost：6.50B Lvl Cost 名称 効果 10 160B Ooh Shiny! 自身のDPS +100% 25 400B Full Set Formationに空きがないとき、自身のDPS +150% 50 1.60t Collect Them All! 自身のDPS +100% 75 12.8t My Precioussss 自身のDPS +100% 100 128t Mine! Mine! Mine! 自身のDPS +150% 125 1.50q Lucky Set Critical Clickの確率 +3% 200 978q Smaug s Smile 200Lvl以降、自身のDPSが25Lvl毎に2倍、100Lvl毎に4倍 Tier 14 Gold Panda 初期Cost：50.0B DPSは低いが、取得Goldを大きく上昇させることができる。 Lvl Cost 名称 効果 10 8.00t Better than the Slots 取得Gold +25% 25 20.0t Gold! Mine! 取得Gold +25% 50 800t More Gold! Mine! 取得Gold +25% 75 6.40q Order of the Holy Coin 取得Gold +50% 100 64.0q Gold-o-Rama Skill取得 125 768q Lucky Panda Critical Clickの確率 +3% 200 7.52Q Storm Heroes 200Lvl以降、自身のDPSが25Lvl毎に2倍、100Lvl毎に4倍 Tier 15 Prince Sal, the Merman 初期Cost：450B Lvl Cost 名称 効果 10 20.0t Mad Trident Skillz 自身のDPS +100% 25 50.0t Salt Water Taffy 全体のDPS +10% 50 200t Shark Attack 自身のDPS +100% 75 1.60q Triton s Blessing 自身のDPS +150% 100 16.0q Nptune s Wrath 「Sword Play」の効果 +20% 200 67.7Q Salty 200Lvl以降、自身のDPSが25Lvl毎に2倍、100Lvl毎に4倍 Wendy the Witch 初期Cost：450B Lvl Cost 名称 効果 10 20.0t Starter Kit 自身のDPS +100% 25 50.0t Little Ferret 全体のDPS +10% 50 200t Food Fight 自身のDPS +100% 75 1.60q Salem Says 自身のDPS +100% 100 16.0q Draw Power 自身のDPS +(画面上にいるMonsterの数 ×25)% 150 421q Samantha s Wisdom 自身のDPS +125% 200 67.7Q Wicked Witch 200Lvl以降、自身のDPSが25Lvl毎に2倍、100Lvl毎に4倍 Tier 16 Fire Phoenix 初期Cost：4.00t Lvl Cost 名称 効果 10 100t Vengeful Fury 自身のHPが0になったとき、画面内のMonstarにそれぞれ(そのMonstarの最大HP×25%)のダメージ 25 250t Song of the Phoenix 自身のDPS +100% 50 1.00q Evil Eye 自身のDPS +100% 75 8.00q Power of the Fiery Nest 自身のDPS +100% 100 80.0q Egg Laying 自身のDPS +150% 200 602Q Fenix Down 200Lvl以降、自身のDPSが25Lvl毎に2倍、100Lvl毎に4倍 Tier 17 King Reginald IV 初期Cost：36.0t Lvl Cost 名称 効果 10 500t Unicorn Academy 自身のDPS +100% 25 1.25q Hurting Trophies 自身のDPS +100% 50 5.00q The Royal Army 全体のDPS +10% 75 40.0q Kings Command Skill取得 100 400q Royal Grail 自身のDPS +150% 125 4.80Q Badge of Honour Critical Clickの確率 +3% 200 5.42s Good To Be King 200Lvl以降、自身のDPSが25Lvl毎に2倍、100Lvl毎に4倍 Tier 18 Thalia, the Thunder King 初期Cost：320t Lvl Cost 名称 効果 10 2.50q Lightning Rod Monsterから狙われる確率を大きく上げる 25 6.25q Lightning Bolted 自身のDPS +125% 50 25.0q Forked Lightning 自身のDPS +125% 75 100q Haste AbilityのCooldown -5% 100 800q Lightning Ore 自身のDPS +125% 125 8.00Q Storm Rider Skill取得 200 48.1s Electro 200Lvl以降、自身のDPSが25Lvl毎に2倍、100Lvl毎に4倍 Tier 19 Merci, the Mad Wizard 初期Cost：2.70q Lvl Cost 名称 効果 10 12.5q Alchemy Skill取得 25 31.2q Sorry! 自身のDPS +100% 50 125q Zombie Friends? 全体のDPS +15% 75 1.00Q Detected Evil 自身のDPS +100% 100 10.0Q Lotus Land 自身のDPS +100% 125 120Q All Apologies 自身のDPS +150% 200 406s Loremaster 200Lvl以降、自身のDPSが25Lvl毎に2倍、100Lvl毎に4倍 Tier 20 Nate Dragon 初期Cost：24.0q Lvl Cost 名称 効果 10 625q Double Dragon (Nate) Natalie Dragon(08)がいるとき、自身のDPS +150% 25 1.50Q Forest Fire 自身のDPS +100% 50 6.25Q Dynamite!!! 全体のDPS +10% 75 50.0Q Desecration 全体のDPS +10% 150 500Q The End of World Worldをリセットする 200 3.61S MVP 200Lvl以降、自身のDPSが25Lvl毎に2倍、100Lvl毎に4倍
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Japan at the Dawn of the Modern Age Woodblock Prints from the Meiji Era, 1868-1912 Museum of Fine Arts Boston?Donald Keene?Anne Nishimura Morse?Frederic A. Sharf? Vase Painting in Italy Red-Figure Related Works in the Museum of Arts, Boston Museum of Fine Arts Boston?Michael J. Padgett? Romantics, Realists, Revolutionaries Masterpieces of 19th Century German Painting from the Museum of Fine Arts, Leipzig (Art Design) Prestel Pub?Germany) Museum Der Bildenden Kunste (Leipzig?Helga Kessler Aurisch?Karl-Heinz Mehnert?Susanne Petri?Dietulf Sander?Andreas Stolzenburg?Houston Museum of Fine Arts?Edgar Peters Bowron? Italian Paintings in the Museum of Fine Arts Boston 13Th-15th Century Museum of Fine Arts Boston?Laurence B. Kanter? Beyond the Screen Chinese Furniture of the 16th 17th Centuries Museum of Fine Arts Boston?Nancy Berliner?Craig Clunas?Boston Museum of Fine Arts Beyond the Screen Chinese Furniture of the 16th and 17th Centuries Museum of Fine Arts Boston?Nancy Berliner? 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Buddy Bear and Pink Kitty Museum of Fine Arts Boston?Shari Halpern? French Prints from the Age of the Musketeers Museum of Fine Arts Boston?Sue Welsh Reed?Alvin L., Jr. Clark?Boston Museum of Fine ArtsNational Gallery of Canada?Mona Bismarck Foundation? French Paintings in the Museum of Fine Arts, Boston Artists Born Before 1790 (Vol 1) Museum of Fine Arts Boston?Katherine Rorhkopf?Sydney Resendez?Eric M. Zafran?Boston Museum of Fine Arts Shine on Museum of Fine Arts Boston?Laura Robinson? Pharoahs of the Sun Akhenaten, Nefertiti, Tutankhamen Museum of Fine Arts Boston?Rita E. Freed?Yvonne J. Markowitz?Sue H. D Auria? Earth Transformed Chinese Ceramics in the Museum of Fine Arts, Boston Museum of Fine Arts Boston?Wu Tung? Dangerous Curves The Art of the Guitar Museum of Fine Arts Boston?Darcy Kuronen?Lenny Kaye?Carl Tremblay? The Senedjemib Complex The Mastabas of Senedjemib Inti (G 2370), Khnumenti (G 2374), and Senedjemib Mehi (G 2378) Museum of Fine Arts Boston?Edward Brovarski?Peter Der Manuelian?William Kelly Simpson? English Silver in the Museum of Fine Arts, Boston Silver from 1697 Including Irish and Scottish Silver Museum of Fine Arts Boston?Ellenor M. Alcorn? Samplers from A to Z Museum of Fine Arts Boston?Pamela A. Parmal? A Studio of Her Own Women Artists in Boston 1870-1940 Museum of Fine Arts Boston?Erica E. Hirshler? Dangerous Curves The Art of the Guitar Museum of Fine Arts Boston?Darcy Kuronen?Lenny Kaye?Carl Tremblay? Boston Tea Parties Recipes from the Museum of Fine Arts, Boston Museum of Fine Arts Boston? Just Looking Essays on Art Museum of Fine Arts Boston?John Updike? American Folk Museum of Fine Arts Boston?Gerald W. R. Ward?Carol Troyen?Gilian Shallcross?Abaigeal Duda?Pamela A. Parmal?Sue Welsh Reed? Musical Instruments (Mfa Highlights) Museum of Fine Arts Boston?Darcy Kuronen? Japan at the Dawn of the Modern Age Woodblock Prints from the Meija Era, 1868-1912 Museum of Fine Arts Boston?Donald Keene?Frederic A. Sharf?Anne Nishimura Morse? Netsuke Fantasy and Reality in Japanese Miniature Sculpture Museum of Fine Arts Boston?Joe Earle? Art of the Natural World Resonances of Wild Nature in Chinese Sculptural Art Museum of Fine Arts Boston?Richard Rosenblum?Valerie C. Doran? Details of the World Museum of Fine Arts Boston?Sophie Ristelhueber?Cheryl Brutvan? Apollinaire on Art Essays and Reviews, 1902-1918 (Artworks) Museum of Fine Arts Boston?Roger Shattuck?Guillaume Apollinaire?Leroy C. Breunig?Susan Suleiman? Futurist Manifestos (Artworks) Museum of Fine Arts Boston?Umbro Apollonio?Robert Brain?R. W. Flint?J. C. Higgitt?Caroline Tisdall? Surrealism and Painting Andre Breton Museum of Fine Arts Boston?Andre Breton?Mark Polizzotti?Simon Watson Taylor? Blanche Lazzell and the Color Woodcut From Paris to Provincetown Museum of Fine Arts Boston?Barbara Stern Shapiro? Egypt in the Age of the Pyramids Highlights from the Harvard University-Museum of Fine Arts, Boston Expedition Museum of Fine Arts Boston?Yvonne J. Markowitz?Joyce L. Haynes?Rita E. Freed? The Poetry of Everyday Life Dutch Painting in Boston Museum of Fine Arts Boston?Ronni Baer? Eugene Delacroix Selected Letters, 1813-1863 (Artworks) Museum of Fine Arts Boston?Eugene Delacroix?John Russell?Jean Stewart? Marchel Duchamp the Bachelor Stripped Bare Museum of Fine Arts Boston?Marcel Duchamp?Alice Goldfarb Marquis? The Poetry of Everyday Life Dutch Painting in Boston Museum of Fine Arts Boston?Ronni Baer? Impressions of Light The French Landscape from Corot to Monet Museum of Fine Arts Boston?George T. M. Shackelford?Fronia E. Wissman? Stieglitz A Memoir/Biography Museum of Fine Arts Boston?Anne E. Havinga?Alfred Stieglitz?Sue Davidson Lowe? My Galleries and Painters Museum of Fine Arts Boston?Daniel-Henry Kahnweiler?Francis Cremieux? Alchemy Mysticism The Hermetic Museum (Klotz) Taschen America Llc?Alexander Roob? Director's Choice A Tour of Masterpieces in the Museum of Fine Arts, Boston Museum of Fine Arts Boston?Malcolm Rogers? A Singular Vision Works from the Melvin Blake and Frank Purnell Collection in the Museum of Fine Arts, Boston Museum of Fine Arts Boston?Cheryl Brutvan? John Currin Selects Museum of Fine Arts Boston?John Currin?William Stover?Cheryl Brutvan? Art of the Senses African Masterpieces from the William and Bertha Teel Collection Museum of Fine Arts Boston?Suzanne Preston Blier?Christraud M. Geary?Edmund Barry Gaither?William E. Teel? American Painting Highlights (MFA Highlights) Museum of Fine Arts Boston?Carol Troyen?Erica E. Hirshler?Elliot Davis? Arts of Ancient Egypt Museum of Fine Arts Boston?Lawrence Berman?Denise Doxey?Rita E. Freed? The Maker's Hand American Studio Furniture 1940-1990 Museum of Fine Arts Boston?Edward S., Jr. Cooke?Gerald W. R. Ward?Kelly L Ecuyer?Pat Warner? Paul Gauguin Letters to His Wife and Friends Museum of Fine Arts Boston?Paul Gauguin?Maurice Malingue? Gauguin Tahiti Museum of Fine Arts Boston?George T. M. Shackelford?Claire Freches-Thory? Gauguin Tahiti Museum of Fine Arts Boston?George T. M. Shackelford? Art of the Japanese Postcard The Leonard A. Lauder Collection at the Museum of Fine Arts, Boston Museum of Fine Arts Boston?Anne Nishimura Morse?J. Thomas Rimer?Kendall H. Brown? Alchemy and Mysticism Hermetic Museum (Klotz Series) Taschen America Llc?Alexander Roob? Kenneth Noland The Circle Paintings 1956-1963 Museum of Fine Arts Houston?Kenneth Noland?William C. Agee?Alison De Lima Greene?
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入手方法 詳説・特徴 関連リンク Tear of Purity Lapis Amulet ステータス要求値：LEVEL20 +(20-30) to IntelligenceIntelligenceに+(20-30) Grants Level 10 Purity of Elements Skillレベル10のPurity of Elementsが使用可能になる +(5-10) to all Attributes全ステータスに+(5-10) +(20-40) to maximum Life最大Life+(20-40) 5% chance to Avoid Elemental Ailments5%の確率でElemental Ailmentsを回避する A shimmering symbol of Purity, clear as water,but I know better than most how quicklyPurity can succumb to Corruption.How quickly water turns to blood.- Victario, the People s Poet 入手方法 カード等のドロップ以外の入手方法 アイテム 必要数 備考 Custodians of Silence 1 Arrogance of the Vaal 8 Jack in the Box 4 詳説・特徴 このアイテムからベンダーレシピ、予言等で変換して得られるアイテム 変換先 変換元 必要数 備考 Blood of Corruption Tear of Purity 1 Corrupt時にランダムで変化 Vaal Orb 1 関連リンク 英wiki https //pathofexile.gamepedia.com/Tear_of_Purity Unique Amulets 一覧
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ダンガウラ・タルー語 ｜Indo-European languages｜Indo-Iranian languages｜Indic languages｜Central zone languages｜ 言語類型 現用言語 使用文字 デーヴァナーガリー文字【Deva】 type living language writing system Devanagari script ISO 639-3 【thl】 言語名別称 alternate names Chaudary Tharu Chaudary Chaudhari Tharu Chaudhari Chaudhuri Dangali Dangauli Dangha Dangora Dangura Dang 方言名 dialect names Banke Bardiya Dang Deokhuri (Deokhar, Deokri) Kailali (Malhora) Kanchanpur Surkhet 参考文献 references WEB ISO 639-3 Registration Authority - SIL International the LINGUIST List Ethnologue The Rosetta Project
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THANKS ■2006/3/15発売 ■初回盤【CD】PCCA-02252 ￥3,150 （1）初回限定ジャケット （2）特典ポスター付 ■通常盤【CD】PCCA-02253 ￥3,150 （1）初回盤と異なるジャケット （2）初回入荷分のみトレーディングカード封入（全1種類） ■収録曲 01.1or8（作詞 shungo./作曲 Martin Ankelius/T2Ya/編曲 Martin Ankelius/T2Ya/Koma2 Kaz） 02.Hush...!（作詞 shungo./作曲 Lasse Andersson/Anuj Nair/編曲 Koma2 Kaz） 03.Still on the street（作詞 shungo./作曲 Kazuhiro Hara/編曲 Keiji Tanabe） 04.Midnight Venus（作詞 Aya Harukazu/作曲 Lasse Andersson/Nicci Notini Wallin/Peter Hallstrom/Herbie Crichlow/編曲 Koma2 Kaz） 05.IT S IN THE STARS(Japanese Version)（作詞 shungo./作曲 Lasse Andersson/Thomas Thornholm/編曲 Koma2 Kaz） 06.LIGHT（作詞/作曲/編曲 Hiroaki Hayama） 07.十六夜の月～unplugged～（作詞 shungo./作曲 Ryoki Matsumoto/編曲 Daisuke Kahara/Nozomi Furukawa） 08.約束のカケラ～acoustic～（作詞 Kiyohito Komatsu/作曲 Ryoki Matsumoto/編曲 Daisuke Kahara/Nozomi Furukawa） 09.影法師（作詞 shungo./作曲 Lasse Andersson/編曲 Koma2 Kaz） 10.Balance（作詞/作曲 Kiyohito Komatsu/編曲 Daisuke Kahara） 11.Stomp（作詞/作曲 Kentaro Akutsu/編曲 Koma2 Kaz） 12.Sup wassup!!（作詞/作曲 Kentaro Akutsu/編曲 Koma2 Kaz） 13.蝉時雨（作詞/作曲 Kiyohito Komatsu/編曲 Yasuaki Maejima） ■受賞歴 IFPI香港ベストセールス賞日韓部門 best seller album 2006 ■オリコン 週間最高順位：４位 登場回数：６回
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TAG... Tagawa, Kenzo. 田川建三. 1997.『書物としての新約聖書』 Tagaya. Yuko. 2016. "The Japanese Analogues to Beowulf and Their Perspective". Bulletin of the Society of Humanities Kanto Gakuin University 134 71-92. Tagliamonte, Sali.1998."Roots of Identity Variation and Grammaticalisation n Contemporary British English". http //www-users.york.ac.uk/~st17/RoI.html Tagliamonte, Sali A.1998."Was/were Variation across the Generations View from the City of York". Language Variation and Change 10 153-191. Tagliamonte, Sali A.2000."The grammaticalization of the present perfect in English Tracks of change and continuity in a linguistic enclave", in Pthways of Change Grammaticalization in English, ed. O. Fischer, et al., pp. 329-54. Tagliamonte, Sali A.2003." Every place has a different toll Determinants of grammatical variation in cross-variety perspective", in Determinants of Grammatical Variation in English, ed. Guenter Rohdenburg Britta Mondorf, pp.531-54. Berlin Mouton de Gruyter. Tagliamonte, Sali.2004."Have to, gotta, must Grammaticalisation, variation and specialization in English deontic modality", in Corpus Approaches to Grammaticalization in English, ed. Hans Lindquist Christian Mair, pp. 33-55. Amsterdam John Benjamins. Tagliamonte, Sali.2006.Analysing Sociolinguistic Variation. CUP. Tagliamonte, Sali A. 2006. " So cool, right? Canadian English Entering the 21st Century". Canadian Journal of Linguistics 51 309-31. Tagliamonte, Sali A. 2008. "So Different and Pretty Cool! Recycling Intensifiers in Toronto, Canada." English Language and Linguistics 12.2 361-394. Tagliamonte, Sali A. 2013. Roots of English Exploring the History of Dialects. Cambridge Cambridge University Press. Tagliamonte, Sali A. 2013. "The Verb Phrase in Contemporary Canadian English", in The Verb Phrase in English Investigating Recent Language Change with Corpora, ed. Bas Arts, Joanne Close, Geoffrey Leech Sean Wallis, pp. 133-154. Cambridge Cambridge University Press. Tagliamonte, Sali A R. Harald Baayen. 2012. "Models, Forests, and Trees of York English Was/Were Variation as a Case Study for Statistical Practice". Language Variation and Change 24.2 135-178. Tagliamonte, Sali, Mercedes Durham Jennifer Smith. 2014. "Grammaticalization at an Early Stage Futur Be Going To in Conservative British Dialects." English Language and Linguistics 18.1 75-108. Tagliamonte, S. R. Hudson.1999."Be like et al. beyond America The quotative system in British and American youth". Journal of Sociolinguistics 3 147-72. Tagliamonte, Sali Rika Ito. 2002. "Think really different Continuity and Specialization in the English Dual Form Adverbs". Journal of Sociolinguistics 6 236-66. Tagliamonte, S. A. Roeder, R. V. 2009. "Variation in the English definite article Sociohistorical linguistics in t speech community". Journal of Sociolinguistics 13(4) 435–471. Tagliamonte, Sali Jennifer Smith.2002."Either it isn t or it s not NEG/AUX contraction in British dialects". English World-Wide 23 251-81. Tagliamonte, Sali Jennifer Smith.2005."No momentary fancy! The zero ‘complementizer in English dialects". English Language and Linguistics 9 289-309. Taglicht, J. 1970. "The Genesis of the Conventional Rules for the Use of Shall and Will". English Sutides 51 193-213. Taguchi, Atsushi. 田口純. 2011. 「18世紀の文法家Buchananの2つの文法書について」 The Kyushu Review 13 59-74. Taguchi, Atsushi. 田口純. 2014. 「You Wasと18世紀中葉の規範文法」 The Kyushu Review 15 51-60. Taguchi, Mayumi Yoko Iyeiri (eds.) 2019. Pepysian Meditations on the Passion of Christ Edited from Cambridge, Magdalene College, MS Pepys 2125. Middle Enlish Texts, 56. Heidelberg Universitaetsverlag Winter.
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As a successor of Hiro, Kei has appointed a person in charge of financial system. After coming to the office, she has to revise the Tax class due to the revision of the tax law, and she found a method to calculate a value that is not used at all in the class. She tried to ask Hiro about the method, but he was assigned overseas and she cannot contact with him quickly. Kei tried to investigate the reason of the method by herself. She looked up the documents of Tax class program comments, design documents, specifications etc, which seemed to be relevant, but there was no reference about the reason for the existence of that method. How should we respond appropriately to problems that are not left in the document? Hiro s colleague Joe and his boss Yoshiaki are members of the internal system department from the beginning of the financial system development, and they know to some extent the circumstances at the time. Especially Yoshiaki knew about the rough structure of the settlement system as PM of the settlement system to a considerable extent. Both Yoshiaki and Joe are cooperative with Kei, which makes it easy to ask questions. Ask a third party who seems to know the circumstances. Kei asked Yoshiaki about the necessity of the method. Because Yoshiaki remembered that the method was made by mistake and neede to be deleted, he answered the question from Kei. Kei was able to delete unnecessary methods according to the timing of repair. This pattern requires Spread of knowledge. If you can ask your predecessor by Securing an emergency contact, you do not need to execute this pattern. To make it easier for successors to implement this pattern, it is also important for third parties to create an environment in which successors can easily question. Supporting developing successor by a third party is a very effective pattern to create such an environment.Through Reunion for oldmembers, many third parties become Witnesses for the knowledge and the range of knowledge gained by this pattern will widen. Also, since it is not enough with sighting information alone, it is important to conduct Neighboring excavation together and obtain confirmation.